Háskólavísur 01: Infamous Foodstuffs

Today starts a new experiment on this blog that will hopefully involve more frequent updates, though they will generally be shorter and still somewhat random. For now, I’m calling it Háskólavísur, which translates to “university verses.” These will be short verses on various aspects of my life here in Iceland as an M.A. student. The name is inspired by the term “lausavísur” (loose verses) used to describe the short bits of poetry that occur in Icelandic sagas, often as a poet’s response to some situation or other as part of the narrative. The meters I use for these verses may vary, with fornyrðislag, ljóðaháttr, and anglo-saxon being most likely. Later such posts probably won’t include much, if any, in the way of introduction, though the title will always include “Háskólavísur” with a steadily-increasing index number. Today’s verse is about some of the infamous Icelandic specialty foods.

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The Skald Starts an M.A.

So, what’s the cause of the very long break since my last post? Nothing less than a move to Iceland for the start of an M.A. program in Viking and Medieval Norse Studies at the University of Iceland. Joining this program has been a goal of mine ever since I learned of its existence back in May 2012. It’s an international, two year program that has its first year in Iceland and in which the third semester is taken at one of three other partner universities in Norway or Denmark, with the fourth semester for writing a thesis either in Norway or back in Iceland. I’m looking at spending the entire second year in Norway at the University of Oslo. But for now, I’m enjoying the start to my time in Iceland. I’ve been here for eleven days so far, and both life and studies have been great. Reykjavík is a beautiful city. 🙂
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Call to Thor

I’ve posted a call to Thor previously on this blog, but like all the other ritual calls, it was two stanzas of ljóðaháttr. (See the Minor Poems list for the rest of the calls I’ve posted so far.) Since there is a lot of surviving lore about Thor, a longer call is possible. So today I present a seven stanza ljóðaháttr call to Thor. Like much of my poetry on my blog, it will be included in my upcoming book. It is titled “Call to Thor.”

Thunderous Thor,
threat-destroyer,
Asgard’s chosen champion,
we boast of your might
and bounty of main
in the call we declare today.

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Ancient and Modern Dragons

Back in February, I mentioned I was experimenting in writing slam poetry in the alliterative meters. Today I present one of the results of that experiment, which I actually presented at the Steel City Slam on March 25. However, it appears that the world of slam is not yet ready for metered Viking poetry. (Indeed, presenting a poem in meter is virtually unheard of in the slam scene.) Nevertheless, I enjoyed writing in this particular style and tone and will probably do so again in the future. I may try something even more unusual in the future: writing an “MFA-style” poem, but in my own voice and using the ancient meters.

The poem is titled “Ancient and Modern Dragons” and it is written in 48 lines of the Anglo-Saxon continuous style that is not broken into stanzas (which first debuted here on my blog). Of the various alliterative forms I work with, I think it is the one best suited to slam poetry. The poem features famous dragons from ancient and modern literature, and more political commentary than is usual for my poems. It’s still heathen to the core, however. 🙂

Of ancient dragons, the elder poets
left us stories of their strength and size:
Of hungry Níðhögg, who gnaws at the roots
of the great green tree, a glorious ash
that nurtures the worlds, named Yggdrasil.
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Preview of a New Rúnatal

It’s been a while since I’ve posted. Though I haven’t posted, I’ve still been writing poetry, and a lot of it, and I’ll share some draft pieces today. What I’ve been writing lately will ultimately be a 729-line poem in the Anglo-Saxon style (the style debuted here on my blog), a New Rune Tally (aka “Rúnatal en Nýja” if you prefer Old Norse), inspired by the Rúnatal þáttr Óðins, which is Hávamál stanzas 138-145. (My poetic translation of that traditional Rúnatal is here.) A sizeable chunk of it will consist of tallies of certain things, with nine lines devoted to each item in each tally.

The whole poem, when finished, will be too long to fit in a blog post. Nevertheless, it will make its way to the world eventually, when it has been sufficiently revised and edited. The portions I preview today from the various tallies should be thought of as draft versions that are subject to change. Continue reading

Eirik’s Hymn and Some Updates

Cædmon’s Hymn is a nine-line piece of Old English Christian poetry that uses kenning-like phrases for its deity, such as heavenly kingdom’s warder, glory father, eternal drighten, and mankind’s warder. My thanks go to Mary Ellen Rowe, who pointed out that if you transpose these Old English kenning-like phrases into Old Norse, they sound a lot like kennings for certain Old Norse gods. Upon hearing that, I realized I could make an extremely loose “translation” of Cædmon’s Hymn that heathenized it completely. However, it has ended up as piece that should be considered “inspired by” Cædmon’s Hymn rather than as a translation of it. Also, I’ve named the gods directly in most cases. Like the original, it is in nine lines of continuous verse — which is also just like the sequence of prayers from my last two posts. Here is the result of that experiment, which I suppose could be called “Eirik’s Hymn.” 🙂

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Prayers to the Gods, Part 2

Woot! I’ve finished NaPoWriMo on schedule, having written a poem a day for each day of the month. As mentioned in my last post, I chose to write these 30 poems as prayers to various gods, goddesses, and wights of Asatru, each exactly nine-lines in the style of Anglo-Saxon continuous verse. Today I present another three prayers from the fifteen that I wrote in the second half of the month. They are prayers to Forseti, Jörð, and the Ancestors.

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Prayers to the Gods, Part 1

April is the time of National Poetry Writing Month (NaPoWriMo), an annual event for encouraging poets to write a poem a day for each of the 30 days of the month. It was modeled after the more famous National Novel Writing Month (NaNoWriMo). (See the site of NaPoWriMo’s creator or the Wikipedia page for more details.)

This year, I decided to join in the fun for the first time and take up the challenge myself. I’ve resolved to write a poem each day of the month and chose to write the thirty poems with a common theme and structure. Each is a prayer to one of the gods or goddesses of Asatru, and each is exactly nine lines in the style of Anglo-Saxon continuous verse that is not broken into stanzas. (I first featured this meter over a month ago in my “Beer in Midgard” poem, and it is like my usual fornyrðislag except for the changes in line and stanza breaks.) The prayers are written in plural form, and like the Calls to the Gods on this blog, they (usually) can be changed to singular without damaging the meter or the sense. It should be noted that prayer is not a requirement in Asatru, and many (most?) Asatruar don’t pray. I think it is something that individual Asatruar can experiment with if they feel so inclined. However, beyond such brief remarks, this blog is not the place to enter into the debate on the matter.

As I prepared this post, I was halfway finished with NaPoWriMo, having written 15 poems, one on each of the first 15 days of the month. Today I present three prayers from those written so far. They are prayers to Iðunn, Thor, and Eir.
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Oops! There was an Error in the Calculations!

Alas, it would seem that there was an error in my calculations yesterday. It turns out that the stars are not right. Or maybe they were right, but only for yesterday. In any case, the terrifying madness brought on by my Cthulhu gnosis has subsided, and I have remembered who I am: an Asatru poet and writer, dedicated bringing the Mead to Midgard in service to Óðinn and Valhöll. Though it was only two days ago, it feels like centuries in a way.

For anyone out there who still hasn’t figured it out, I have only two final words about yesterday’s post:

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Convert to the Cthulhu Cult!

After much intense study, I have determined that today the stars are right, and that the return of the Great Old Ones is immanent. As for the Ragnarök, I don’t know when that will be, but it doesn’t matter: the Great Old Ones will clearly get here first. All will be destroyed, for we are mere insects compared to these incomprehensible beings, and they regard us no better than the average human regards insects. Thus, I have converted my religion to that of the Cthulhu Cult. In the end, this won’t spare me from their destructive return — it simply means that I’ll get to enjoy some power, prestige, and good times before I too am destroyed at the end of it all. I encourage my former fellow heathens to join me in my conversion instead of attempting a futile resistance. Thus I am using this blog to further the cause of expanding the Cthulhu Cult.

How shall that be done? Though I have converted to the Cthulhu Cult, I still have the skills in poetry and runes that I have acquired, and I feel it best that I use these skills in service of my new masters instead of discarding them. So today I first provide a poetic Call to Cthulhu for those who would honor and serve Him, followed immediately by a rendering of a key phrase in runes that His worshippers may carve as an act of pious devotion which will also add to His power.

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